First there was Murakami for Vuit­ton,
Then there was James Jean for Prada,
And hell, you could even count Fafi for MAC
but now, I think I can offi­cially declare this designer-clothing-companies-hiring-illustrators-who-are-famous-in-their-own-right-thing a trend—-

because woah, man…we’ve got Paul Pope for DKNY:

Check out this video about some of Paul’s process on the project:


Paul has been a long­time hero of mine, and I feel like these designs really used his exist­ing aes­thetic in all the best ways pos­si­ble.
I’m espe­cially a fan of the butterfly-wing camo.
The designs are beau­ti­ful, and I’m really look­ing for­ward to see­ing what other work they do together.

This, how­ever, leaves me spec­u­lat­ing where this trend goes from here. 

Will we have Audrey Kawasaki for Vera Wang?
Kozyn­dan for Marc Jacobs?

Will the cloth­ing lines add more crossover fans for these artist’s work?
Will a Prada or DKNY wearer end up buy­ing a James Jean or Paul Pope comic?
Or will the whole thing implode in a few months? Will these illus­tra­tors sud­denly become “SO last season”?

Only time will tell, but I sure am curi­ous to see what happens. 

April 29th, 2008 | Articles, Reviews | 1 Comment

I received this let­ter recently, and I thought I should share my response with all of you.

Hello Star,

I’ve been told time and time again that it can be hard start­ing out in design because it’s such a com­pet­i­tive indus­try. I’ve been try­ing for a few months now and I’m won­der­ing if I’m doing some­thing wrong? I’ve con­tacted plenty of peo­ple, art direc­tors etc and some of them have been really encour­ag­ing, but still, no proper work. I just won­dered if you have any tips or advice about how you estab­lished your­self. I’m real seri­ous about this and want to do it, but this first hur­dle is so hard! 

While I don’t pro­fess to know what will work for every­one, I’m happy to share what worked for me. Hope­fully this helps!

My senior year of col­lege, I decided that I wanted to live off my artis­tic tal­ent. At the time, I was work­ing at a cof­fee shop, where my artis­tic tal­ent was used only to let­ter the chalk signs that dis­played the latte spe­cials.
While I could make a mean cap­puc­cino, the last thing I wanted to do was spend the rest of my life sling­ing coffee.

I took a course called “Art, Life, and Money” which was geared towards help­ing us make art after grad­u­a­tion. I learned about resume writ­ing, artist state­ments, taxes, and grant writ­ing. More than that though, I learned that I had to be really proac­tive about art mak­ing, and pur­su­ing ways to make that lucrative. 

I started to free­lance, doing illus­tra­tion and web design in my spare time. I was still a full time stu­dent, and still work­ing my cof­fee shop job. I knew that if I was going to jump into full time free­lanc­ing after grad­u­a­tion, I needed to get myself set up ahead of time. Here are a few things I learned along the way:

Get a website.

It is 2008… if you run a busi­ness and you don’t have a web­site, you don’t exist. Even if you just have your con­tact info and a brief descrip­tion of what you do, it is incred­i­bly valu­able to be able to tell a prospec­tive client where to find you on the web.

Read my primer, Build­ing a home on the web, if you’d like more tips on how to do this!

Remem­ber to have your con­tact info, resume, and port­fo­lio in really acces­si­ble places! Many peo­ple will only give you 2 clicks worth of their time, so make sure that you can reach all the impor­tant info in 2 clicks or less. 

Many peo­ple have taken to join­ing pop­u­lar social net­work­ing sites, and using their net­work­ing pages like a web­site. While this is much bet­ter than hav­ing no web pres­ence at all, it’s kind of unpro­fes­sional. Any­body can make a myspace page and call them­selves a business. 

That said, there is noth­ing wrong with using social net­work­ing sites to extend the reach of your work. 

Join social net­work­ing sites

Social net­work­ing sites should be looked at as a free mar­ket­ing resource. The pres­ence of your busi­ness on these sites can only help you to con­nect with more peo­ple. Accept friend requests from every­one. Show your work on your page, and make your web­site URL promi­nent, so peo­ple will travel from your social net­work­ing page to your port­fo­lio. Design your page to look good and don’t post embar­rass­ing pho­tos of yourself!

Use com­mu­nity based sites like flickr or live­jour­nal to move far­ther out­side of your cir­cle and into other groups of artists and design­ers. Post illus­tra­tions and designs to group photo pools and themed dis­cus­sion com­mu­ni­ties. Also com­ment on other people’s work! I promise they’ll come back and com­ment on your stuff later. 

Make friends with craigslist.

You can get work off craigslist. It is a dif­fi­cult pur­suit, but one that will yield results even­tu­ally. Look for work locally, but also look for telecom­mut­ing work in EVERY CITY. You will run into some great jobs, and some awful ones, but after you’ve got a few clients under your belt, word will start to get around and peo­ple will start con­tact­ing you. 

Make friends!

Talk to peo­ple in your field. Make friends with them! If they like your work, they will rec­om­mend you to other peo­ple. I fre­quently get work from other designer friends who refer me when they are too busy to take another client. I also repay the favor when I’m too busy!
Also, con­sider that the peo­ple you already know might have use for your skills. Does your great aunt need a por­trait done of her dog? Does your accoun­tant need a new logo? Does your best friend need an awe­some lay­out for her blog?
Even if you do some of these sorts of jobs on the cheap, if they tell one more per­son who gives you work, it is totally worth it!
When you meet new peo­ple, make sure they walk away know­ing you’re a designer, and that you’re tak­ing clients.
Word of mouth is key.

Go to con­fer­ences and events

I’ve done really well with attend­ing events like comic con­ven­tions and zine fairs. You can meet tons of other peo­ple doing what you’re doing, and share advice and resources. 

Get busi­ness cards

& hand them out to every­one new you meet! For more info on this read my arti­cle on Busi­ness Cards.

Col­lab­o­rate

It’s easy to get noticed when you work with other peo­ple. Their friends and fans will now know who you are, and if they like you, they’ll tell people. 

Par­tic­i­pate in group shows and antholo­gies
If you see a call for work any­where, apply. If you don’t get in, no harm, no foul…but if you do, some­body impor­tant could see it and offer you work. At the very least, it’ll look good on your CV.

Keep learn­ing!

Always keep improv­ing your art. Take classes, study other artists, and just gen­er­ally make an effort to keep get­ting bet­ter. Make sure your web­site reflects your growth, so poten­tial clients can see it too! 

Don’t give up!

Make a list of the peo­ple you will call when you don’t feel like mak­ing art any­more. There will come a day when you will get fed up, and it’s really, really impor­tant to have a net­work to get you through. 

It’s a super dif­fi­cult road to travel. Work­ing free­lance is almost always feast or famine. You will be work­ing a 60 hour work week for your first year, and yes, you will be liv­ing pay­check to pay­check. A great deal of your suc­cess will come from being at the right place at the right time. Here’s to hop­ing you get there! Good luck!

at the desk

For another per­spec­tive on this sub­ject, see Nubby Twiglet’s Life of a Graphic Designer in Train­ing.

March 12th, 2008 | Articles | 4 Comments

Many times through­out my day as a web devel­oper, I find myself styling a page that has a woe­ful lack of copy. Rather than roller­skat­ing over to the mar­ket­ing depart­ment and demand­ing some text, I turn to my trusted friend Lorum Ipsum. 

Many of you are likely acquainted with Lorum Ipsum already, but for those who aren’t, I turn to the wikipedia:

In pub­lish­ing and graphic design, lorem ipsum is com­mon place­holder text used to demon­strate the graphic ele­ments of a doc­u­ment or visual pre­sen­ta­tion, such as font, typog­ra­phy, and lay­out.
Even though using “lorem ipsum” often arouses curios­ity due to its resem­blance to clas­si­cal Latin, it is not intended to have mean­ing. Where text is vis­i­ble in a doc­u­ment, peo­ple tend to focus on the tex­tual con­tent rather than upon over­all pre­sen­ta­tion, so pub­lish­ers use lorem ipsum when dis­play­ing a type­face or design in order to direct the focus to pre­sen­ta­tion. “Lorem ipsum” also approx­i­mates a typ­i­cal dis­tri­b­u­tion of let­ters in English.

The most com­mon lorem ipsum text reads as follows:

Lorem ipsum dolor sit amet, con­secte­tur adip­isic­ing elit, sed do eius­mod tem­por inci­didunt ut labore et dolore magna ali­qua. Ut enim ad minim veniam, quis nos­trud exerci­ta­tion ullamco laboris nisi ut aliquip ex ea com­modo con­se­quat. Duis aute irure dolor in rep­re­hen­derit in volup­tate velit esse cil­lum dolore eu fugiat nulla pariatur. Excep­teur sint occae­cat cup­i­datat non proident, sunt in culpa qui offi­cia deserunt mol­lit anim id est laborum. 

While I’ve been using Lorum Ipsum for years, I only recently began using the Lorum Ipsum gen­er­a­tor.

lorum ipsum

This thing gives you cus­tom Lorum Ipsum in a bunch of dif­fer­ent for­mats. How rad!
I use this tool reg­u­larly, so I thought I should pass it on.

& on that note, I’m off to work.

March 5th, 2008 | Articles, Design | 7 Comments

House of Leaves, by Mark Z Danielewski, is one of my favorite books. It’s right up on my ist next to Lolita and White Noise…but for com­pletely dif­fer­ent reasons. 

This was the first book that used it’s type­set­ting against me as a weapon of psy­co­log­i­cal attack.
Let me explain.

House of Leaves is a story within a story. Dif­fer­ent fonts rep­re­sent dif­fer­ent nar­ra­tors, and the type appears to know no bounds except per­haps the page itself. 

The arrange­ment of the text is meant to mimic the feel­ings and thoughts of the char­ac­ters. Words are found upside down, back­wards, and even in braille. 

The fastest paced part of the book is printed with only a few words per page, forc­ing the reader to fran­ti­cally flip through to read what’s next. In doing so, the phys­i­cal activ­ity involved actu­ally raises your heart rate. Thrilling to say the least!

There are numer­ous codes hid­den through­out the book, if one is so inclined to deci­pher them. How­ever, they are by no means required to be solved to under­stand the story. 

Oh, and did I men­tion it has a sound­track? The Author’s sis­ter, Poe, released an album, “Haunted” as a com­pan­ion piece to the book. There are page num­bers in the liner notes of the album that cor­re­spond to spe­cific pas­sages of the book.
Also, the end­pa­pers of the book are hexa­dec­i­mal char­ac­ters, which are actu­ally an AIFF audio file of Poe’s track “Angry Johnny” from her first album, “Hello”.

Until this book, I hadn’t really thought about books as being an inter­dis­ci­pli­nary medium. It really changed the way I look at design, and still influ­ences me today. 

As for what the book is actu­ally ABOUT.….I’ll just say that it’s about a house that is 1/4th inch big­ger on the inside than it is on the outside. 

Lit­tle solace comes
to those who grieve
when thoughts keep drift­ing
as walls keep shift­ing
and this great blue world of ours
seems a house of leaves
moments before the wind. 

* all pho­tos in this entry are not by me and are linked back to their respec­tive authors.

February 25th, 2008 | Articles, Inspiration, Reviews | 5 Comments

A tornado disguised as a girl.

Love & Not Trouble.
Illustration & Animation.
Web Design, Cello, & World Domination.


A deft eye for color and palate.
Chris Arrant, Newsarama

The sexiest female Tom Waits impersonator ever!
David Gallaher, High Moon

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